US Vogue October 1991 : Michelle Pfieffer by Herb Ritts

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Paris lightens up
Ph: Ellen von Unwerth
Fashion Editor: Grace Coddington
Model: Karen Mulder; Unknown
Hair: Danilo for Oribe
Makeup: Laurie Starrett for Debbie Walters

liquid assets
Ph: Sheila Metzner
Fashion Editor: Phyllis Posnick
Model: Elaine Irwin
Hair: Thom Priano
Makeup: Brigitte Reiss-Andersen

tough guise
Ph: Herb Ritts
Fashion Editor: Jenny Capitain
Hair: Peter Savic for Cloutier
Makeup: George Newell
Featuring Michelle Pfeiffer

Sheer Impact
Ph: Helmut Newton
Fashion Editor: Andre Leon Talley
Model: Karen Mulder
Hair: Charlie for Atlantis
Makeup: Jose-Luis

role reversals
Ph: Marc Hispard
Fashion Editor: Carlyne Cerf de Dudzeele
Model: Carre Otis
Hair: Troy Halterman for Oribe @ Elizabeth Arden
Makeup: Moyra Mulholland
 
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Man, Michelle could easily be a supermodel. That shot with the short hair :wub:
 
"Liquid Assets"
Model: Elaine Irwin
Photographer: Sheila Metzner
Fashion Editor: Phyllis Posnick
Hair: Thom Priano
Makeup: Brigitte Reiss-Andersen





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"The Doctor's Dilemma"
Model/Subject: Frances Conley
Photographer: George Lange




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"Le Style Inés"
Model: Inés de la Fressange
Photographer: Eric Boman
Sittings Editor: André Leon Talley
Hair: José-Luis
Makeup: Katia





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"Saving Your Face"
Models/Subjects: Wilma Bergfeld, Arnold C. Toback, Nicholas Lowe, Mary Ellen Brademas & Karen Burke
Photographer: Mary Ellen Mark
Sittings Editor: Phyllis Posnick




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"Dress for Less: Role Reversals"
Model: Carré Otis
Photographer: Marc Hispard
Fashion Editor: Carlyne Cerf de Dudzeele
Hair: Troy Haltermann
Makeup: Moyra Mulholland







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"Paris Lightens Up"
Couple looks from Ungaro and Saint Laurent, 3 from Lacroix and 9! from Chanel. No other Couture houses existed at that time? And they are speaking about couture's death in text and then in editorial there is EIC's proteges parade
 
"Tough Guise"
Model/Star: Michelle Pfeiffer
Photographer: Herb Ritts
Fashion Editor: Jenny Capitain
Hair: Peter Savic
Makeup: George Newell



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Always adored this shot that was in his book Notorious. So this is where it came from.. Such a shame that such a strong and gorgeous shot wasn’t the cover. I get that 1991 puritan-America would have feigned a collective gasp (while just a year later lesbian-chic would be the hottest new trend LOL), but the consistency of catalogue covershots gets so tiring.

(God, Carre was so gorgeous. Never noticed how much she and Christy looked alike until now. And such a gorgeous bombshell body: voluptuous and healthy.)
 

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